Varázsfuvola - Magic Flute
Ernstern Dezső
Az 1930–as években hozott zsidótörvények értelmében a zsidó származású művészeket fokozatosan kiszorították a művészeti életből, így az 1931–ben megnyitott Goldmark terem színpada maradt az egyetlen, ahol fellépési lehetőséget kaphattak. A Goldmark teremben óriási érdeklődés mellett léphettek fel a korszak legkiválóbb művészei. 1942–ben Somogyi László vezényletével mutatták be Mozart Varázsfuvoláját. Sarastro szerepében Ernster Dezső állt a színpadra, aki később a new yorki Metropolitain Opera sztárja lett. A színpadképeket a karmester, Somogyi László készítette. A kiállított terven a finálé jelenete látható, amikor az opera meséje szerint a józan ész és a szeretet legyőzi a sötétség erőit.
At the end of the 1930s, the newly proclaimed Jewish laws expelled most of those with Jewish derivation from art life, so the stage of the Goldmark hall (opened in 1931) remained the one and only place where they had the possibility to perform. In the Goldmark hall the best artists of those years could be on stage in front of a large audience. In 1942 Mozart’s Magis Flute was played, it was conducted by László Somogyi. The public could see Dezső Ernster in the role of Sarastro, who later became a glorified star of the Metropolitan Opera House in New York City. The stage scenes were made and drawn by Somogyi himself. The exhibited page is the final scene, when accoring to the story common sense and love defeats the powers of the evil.
At the end of the 1930s, the newly proclaimed Jewish laws expelled most of those with Jewish derivation from art life, so the stage of the Goldmark hall (opened in 1931) remained the one and only place where they had the possibility to perform. In the Goldmark hall the best artists of those years could be on stage in front of a large audience. In 1942 Mozart’s Magis Flute was played, it was conducted by László Somogyi. The public could see Dezső Ernster in the role of Sarastro, who later became a glorified star of the Metropolitan Opera House in New York City. The stage scenes were made and drawn by Somogyi himself. The exhibited page is the final scene, when accoring to the story common sense and love defeats the powers of the evil.
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